- Išsiųsime per 10–14 d.d.
/https://libri-media.knygos-static.lt/5730535d-deb5-458e-a307-355c0bf86f5e/2)
- Autorius: Max Ryynänen
- Leidėjas: Springer Nature Switzerland
- Metai: 2025
- Puslapiai: 160
- ISBN-10: 3031634691
- ISBN-13: 9783031634697
- Formatas: 14.8 x 21 x 0.9 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
Realism, Myth, and the Vernacular in Pasolini's Film and Philosophy (el. knyga) (skaityta knyga) | knygos.lt
Atsiliepimai
Aprašymas
Pier Paolo Pasolini's lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study. This book aims to bring forth a new understanding of Pasolini as someone who worked in various arts, and through appropriating one art with. Max Ryynänen shows Pasolini's importance for not just film and film theory, but more broadly visual studies, art research and even cultural philosophy - where Pasolini can be seen to be a real pioneer in discussing unprivileged margins in the society. Ryynänen reads Pasolini not just as a semiotician of film, but also as a cultural philosopher, and argues for that interpretation.
EXTRA 15 % nuolaida su kodu: ENG15
Akcija baigiasi už 4d.14:08:45
Nuolaidos kodas galioja perkant nuo 10 €. Nuolaidos nesumuojamos.
- Autorius: Max Ryynänen
- Leidėjas: Springer Nature Switzerland
- Metai: 2025
- Puslapiai: 160
- ISBN-10: 3031634691
- ISBN-13: 9783031634697
- Formatas: 14.8 x 21 x 0.9 cm, minkšti viršeliai
- Kalba: Anglų
Pier Paolo Pasolini's lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study. This book aims to bring forth a new understanding of Pasolini as someone who worked in various arts, and through appropriating one art with. Max Ryynänen shows Pasolini's importance for not just film and film theory, but more broadly visual studies, art research and even cultural philosophy - where Pasolini can be seen to be a real pioneer in discussing unprivileged margins in the society. Ryynänen reads Pasolini not just as a semiotician of film, but also as a cultural philosopher, and argues for that interpretation.
Atsiliepimai